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‘How shall we do this?’ keynote with Alex Martinis Roe [Feb 26, NCAD, 18:00 GMT]

Events

‘How shall we do this?’ keynote with Alex Martinis Roe [Feb 26, NCAD, 18:00 GMT]

17th February 2026 by Joan Murphy

‘How shall we do this?’ keynote with Alex Martinis Roe

26 Feb 2026 / 18:00 / 1 hour 15 mins

Harry Clarke Lecture Theatre, NCAD

Booking required: https://imma.ie/whats-on/symposium-launch-how-shall-we-do-this-alex-martinis-roe

Feminist practices of researching and archiving minor histories, engage with the past to activate and develop their feminist, anti-colonial, anti-fascist and anti-capitalist politics. Alex Martinis Roe, artist, researcher and author of To Become Two: Propositions for Feminist Collective Practice.

Alex Martinis Roe’s practice seeks solidarity between different positions and generations, as a way of participating in the construction of cultures of difference. Making film installations, publications, workshops and dialogic public events, we gain insight into the artist’s use of transdisciplinary methods that combine writerly, performance and filmmaking methods with feminist and decolonial historiography, ethnography, and political organising.

In this lecture, Martinis Roe presents her expansive working methods that include: an ethnographic approach to archives, where communities guide Martinis Roe’s encounters with artefacts; using pedagogical formats to experiment with ways to learn about, tell and disseminate feminist concepts, methods and stories; using video as a collective transmission of embodied knowledge; working with different positionalities towards a plurality of values and narratives. Central to all of these methods is the importance of relationships: a commitment to radical relational processes of co-creating alternative systems of value and meaning. This relational politics starts from difference and creates kinships and alliances that exceed the dominant social order.

This opening address is followed by a drinks reception. This is the first of several events programmed as part a three-day symposium programme, How shall we do this? This leads onto the all-day symposium at IMMA on Friday 27 February 2026, from 10:30am, the programme concludes with a practice-based workshop on Saturday 28 February from 11am at IMMA. Read full details of these events on the main symposium webpage here.

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Posted in: Digital Archives, Digital Preservation, Events, Visual Arts Tagged: Archival Practice, Art and Feminism, NCAD

Gaps and Silences in Cultural Heritage Collections [Feb 17 @ 16:00 GMT online]

13th February 2026 by Joan Murphy

Gaps and Silences in Cultural Heritage Collections

17 February (4:00 pm to 5:30 pm)

Join the Digital Humanities Research Hub (School of Advanced Study, University of London) for a fascinating discussion about ‘Gaps and Silences in Cultural Heritage Collections’.

Registration: https://www.sas.ac.uk/digital-humanities-research-hub/events/gaps-silences-cultural-heritage-collections

The Digital Humanities Research Hub (School of Advanced Study, University of London) cordially invites you to the next session of their flagship seminar series on ‘The Fragile Record’.

We live in an age of abundant data — and yet, it remains strikingly fragile and incomplete. This seminar explores the topic of ‘Gaps and Silences in Cultural Heritage Collections.’ We will discuss issues of inclusivity and bias from an interdisciplinary perspective and examine uncertainty, privilege and power in digital archives. How do these factors influence which stories are told and how they are represented in cultural heritage collections and related research?

Please find below a short biography of the participants

Mandana Seyfeddinipur is Director of Endangered Languages Documentation Programme, formerly based at the School of Oriental and African Studies at the University of London, and part of the CLARIN-UK Consortium. The programme moved to Berlin in 2021, and remains part of the CLARIN Knowledge Centre for Linguistic Diversity and Language Documentation (CKLD).

Andrea Kocsis is Chancellor’s Fellow in Humanities Informatics, at the University of Edinburgh. She comes from an interdisciplinary and international background, and in her research, she combines heritage studies with data and network science. 

Giulia Taurino, Ph.D. is a researcher, artist, and curator specialized in AI for the management and preservation of cultural heritage collections. Her research focuses on forms of content organization in online repositories and digital archives, cultural implications of algorithmic technologies, and applications of AI in the arts, heritage and museum sectors. Past and present affiliations include the NULab for Digital Humanities and Computational Social Science, the Alan Turing Institute AI & Arts Interest Group, Getty Research Institute, metaLAB (at) Harvard, MIT Data + Feminism Lab, Brown University’s Virtual Humanities Lab. 

Lucy Havens is a postdoctoral research fellow in the Khoury College of Computer Sciences at Northeastern University.  She received her PhD from the University of Edinburgh in 2024, where she investigated how machine learning could help archivists identify gender biases in descriptive metadata.  Her research interests include human-centered AI, gender bias and empowerment, and AI evaluation, with a focus on GLAM use cases.

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Posted in: Cultural Heritage, Webinar Tagged: Bias, Cultural Heritage, Digital Humanities, Events

The FLOW Project: A Modular Workflow for Automatic Text Recognition and Beyond [Feb 18, online @ 15:00 GMT]

12th February 2026 by Joan Murphy

The FLOW Project: A Modular Workflow for Automatic Text Recognition and Beyond

Bodleian Bytes

18 February 15:00 to 16:00

Online event. Registration required.

Registration: https://app.onlinesurveys.jisc.ac.uk/s/oxford/registration-bodleian-bytes-the-flow-project

Historical research often involves working with highly diverse and complex source materials, ranging from handwritten manuscripts to large, heterogeneous document collections. Machine learning methods are increasingly shaping how historians work with digitised sources, particularly through Automatic Text Recognition (ATR). In this talk, Jonas Widmer and Dana Meyer will introduce The FLOW, a modular, microservice-based framework designed to support machine learning–driven data management and processing in the Digital Humanities.

The talk will outline how The FLOW separates complex ATR workflows such as pre-processing, model training, inference, and evaluation into independent, reusable components that can be combined flexibly and accessed without programming experience. Using state-of-the-art transformer-based models, the project aims to make advanced text recognition workflows more transparent, reproducible, and scalable across diverse historical datasets.

Jonas and Dana will outline a typical FLOW workflow, showing how datasets are managed on the Hugging Face platform and then processed step by step. The focus will be on how such workflows can support everyday research practices when working with large and heterogeneous historical corpora.

Speaker Biographies

Jonas Widmer is a Research Software Engineer specialising in Digital Humanities at the University of Bern. In this role, he assists in planning and developing projects focused on Natural Language Processing. His primary interest lies in Handwritten Text Recognition (HTR), where he engages with historical projects and their diverse sources.

Dana Meyer is a Master’s student in Intelligent Interactive Systems at Bielefeld University and works as a research assistant on the project The Flow in the Digital History group at Bielefeld University

Jonas Widmer

Jonas Widmer

Dana Meyer

Dana Meyer

Bodleian Bytes

Bodleian Bytes is a series of online talks hosted by the Centre for Digital Scholarship at the Bodleian Libraries. The series engages with innovative national and international research in digital scholarship. It is a virtual space for discussions surrounding different tools and methodologies whilst also providing inspiration for future digital research.

Event Details and Registration

Registration is required for this free online event. Registration closes at 17.00 on Monday 16 February 2026.

Date and time: Wednesday 18 February, 15:00-16:00 (UK time)

Location: Online via Zoom.

For further information, please email the Centre for Digital Scholarship: cds@bodleian.ox.ac.uk.

Centre for Digital Scholarship

The Centre for Digital Scholarship (CDS) at the Bodleian Libraries is a space and place for engaging, leading and shaping discussions around digital scholarship practice and research within and beyond the University of Oxford. 

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Posted in: AI, Machine Learning, Methods, Webinar Tagged: Automatic Text Recognition, Digital Scholarship at Oxford

Digital Changelings: 3D Scanning Nature [Feb 17 @ 12:00 GMT in person (Galway) and online]

12th February 2026 by Joan Murphy

Digital Changelings: 3D Scanning Nature

Date & Time: 12pm, Tuesday 17th February

Location: Studio 3, O’Donoghue Centre for Drama, Theatre & Performance, University of Galway

Registration

In person: https://ti.to/creative-tech/masterclass-liing-heaney

Zoom: https://universityofgalway-ie.zoom.us/webinar/register/WN_jbqJZag_T0CrOoJBH1CAFA#/registration

Centre for Creative Technologies, University of Galway, Masterclass Series

In this session, multidisciplinary artist 1iing heaney will talk about the use of 3D scanning in her practice, and how it has informed her thinking on digital and ecological life. She will discuss the technical and creative application of the medium as she has implemented it across installation, sculpture, and video.

Speaker Bio
1iing heaney is a multidisciplinary artist based in Leixlip, Co. Kildare exploring the complex entanglements of the anthropocene, particularly between technology and ecology. She is currently a Masters by Research candidate in IADT, funded by scholarship from TU Rise Elevate. Working across diverse mediums such as 3D print, Extended Reality, stone, CGI, steel, and screen, her work is presented as immersive, sculptural, and screened experiences.


Upcoming:

Róisín Berg – Tuesday, 24 February

Tara Jaye Burke – Tuesday, 3rd March

Claire Healy  – Tuesday 24th March

Jane Cassidy – Tuesday 31th March

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Posted in: Creative Practice, Creative Technologies, Ecology, Events, Visual Arts, Webinar Tagged: 3D, Creative Arts, Creative Technologies, Digital Humanities, University of Galway

Welsh language Wikipedia [Feb 17, online @ 14:00 GMT]

10th February 2026 by Joan Murphy

Welsh language Wikipedia

17 February 14:00 to 15:30, online via Zoom

Digital Scholarship at Oxford

Jason Evans, National Library of Wales, will talk about his work on Welsh language Wikipedia, and the challenges and importance of developing smaller language digital resources. There will be a short talk, followed by discussion and a Q and A

For this session we will hear from Jason Evans, Open Data Manager at the National Library of Wales.

For over a decade Jason has managed projects to improve content on the Welsh language Wikipedia. He works to advocate for open access within the culture sector and works to support the sharing of knowledge in smaller languages and about under represented groups. He has developed processes for transforming Library metadata in rich linked open data and connecting knowledge across languages, datasets and organisations. He advises Welsh Government on Welsh Language Data, currently sits on the Europeana Members Council and chairs the Europeana Impact Community steering group.

Jason will talk about his work harnessing the crowd and technology to disseminate knowledge in Welsh, the value of Welsh language Open Data, and smaller language digital resources. 

More info: https://digitalscholarship.web.ox.ac.uk/event/critical-digital-humanities-0

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Posted in: Webinar Tagged: Digital Scholarship at Oxford, Languages, open data, Welsh, Wikipedia
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News & Upcoming Events

  • Mastering metadata for digital preservation workshop [28 Aug, Online]
  • IMA Shared Island GLAM Programme [Call open]
  • RLUK27 Conference, Belfast, 10-12 March 2027 [CfP Open]
  • Northern European Mobility Opportunity for Artists/Arts Practitioners [Call closes 18th August]
  • Linked Pasts (LOD) 23-25 Nov [CfP closes 13th Sept]
  • Artistic Research and the Lingering Gaze of Thought [SAR2026 Keynote Published]
  • Research Fellows (x2) [Mica lab, UK]
  • Digital History Autumn School 2026, Germany [Bursaries Call closes Aug 2]

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