Creative Technologies

Stage to Data project announces seminar series [online and in person, Paris]

The Arts and Cultural Data

This seminar explores the challenges and applications of this field for the study of the arts and cultural data. It is part of the European ERC project From Stage to Data, led by Clarisse Bardiot, and brings together two rapidly developing fields: digital art history and culture analytics.

The Arts and Digital Humanities seminar has three objectives: to explore the foundations of the digital humanities and their applications to the arts, particularly the performing arts; to analyze the scientific and ethical challenges of using digital data in research; and to introduce participants to the latest work in the field through presentations by recognized researchers. The program brings together specialists in the digital arts and humanities with historians, philosophers and researchers in the humanities whose work directly informs our discussions. Each year, an artist is also invited to present a practice related to digital technology.

The seminar is aimed at Master’s and PhD students, as well as artists and cultural professionals. No previous experience in data analysis is required. The sessions, which last two hours and are sometimes held in English, take place both in person and online (via Zoom). The presentation (lasting approximately one hour) is followed by a discussion and then a social gathering.

The sessions will be recorded and made available on the From Stage to Data website and YouTube channel: https://stage-to-data.huma-num.fr

The full program is available at the following address: https://stage-to-data.huma-num.fr/en/events/arts&HN/

19/10 – Andreas Aristidou, University of Cyprus, CYENS Center of Excellence

Performing Arts in the Digital Age: Capture, Analysis, Visualization, and Interaction with XR Technologies

02/11 – Peter Broadwell & Michael Rau, Stanford University

Reworking Similarity and Consensus in Pose-Based Analyzes of Theater Recordings

23/11 – Nick Crossley, University of Manchester

Investigating Event Networks

07/12 – Pantelis Michelakis, Director of the Archive of Performances of Greek and Roman Drama

Patterns of Performance: Computational Audiovisual Analysis and the Transformation of Theater Historiography

18/01 – Lise Jaillant, Loughborough University

Pressing Matters: Artificial intelligence, natural history, and co-creation using cultural data

01 / 02 – Ulla Kallenbach, University of Bergen & Anna Lawaetz, Royal Danish Library

The theatrical gaze and digital humanities: text, performance, archives

22/02 – Johanna Drucker, UCLA

Affective, Experiential, and other Non-Standard Metrics for Visualization in the Humanities

15/03 – Nicola Carboni, University of Illinois

From Pixels to Context: knowledge graphs for visual objects

05/04 – Pierre Couprie, University of Évry Paris-Saclay

The musicologist’s digital laboratory: from instrumented listening to multimodal analysis environments

Doing Sound Synthesis: Symposium and Exhibition [1-3 October, Graz]

Graz Institute of Electronic Music and Acoustics Symposium and Exhibition

Thinking sound synthesis, composing sound synthesis, developing sound synthesis, programming sound synthesis, questioning sound synthesis, experimenting with sound synthesis, probing sound syntheses. What is it that we are doing in the artistic practice of sound synthesis?

As an artistic endeavour, doing sound synthesis is a knot of practices. It is not limited to the mere production of sound; rather, it seeds paths of speculation that grow into different, unthought, unseen and unheard potentials.Doing Sound Synthesis, a mini-symposium and exhibition within the artistic research project Speculative Sound Synthesis, brings a collection of such speculative seeds together.

Works by A. Isa Araújo, Adam Pultz Melbye, Fulya Uçanok and Martin Rumori, as well as by the project team – David Pirrò, Leonie Strecker and Ina Thomann – will be exhibited, performed and discussed over three days at the Tennenmälzerei in Graz. The programme also includes the presentation of the new artistic research project Composing Tools as Computer Music Discourse by Gerhard Eckel, Ludvig Elblaus, Alisa Kobzar, Ina Thomann, and Zlata Zhidkova, and closes with the presentation of the forthcoming Speculative Sound Synthesis publication.Doing Sound Synthesis – mini-symposium and exhibition 

October 1–3, 2026 
Tennenmälzerei, UNESCO-Esplanade 9, 8020 Graz 
Exhibition daily from 14:00 
Lecture performances and moderated talks from 18:00

Programme:
https://speculative.iem.at/docs/Events/doing_sound_synthesis_2026/

Participation is free.

We kindly ask you to register by sending a short email to speculative@iem.at.We look forward to welcoming you in Graz.the Speculative Sound Synthesis teamSpeculative Sound Synthesis is funded by the Austrian Science Fund (FWF) within the Programme for Arts-based Research (PEEK) – PEEK AR 713-G. It is hosted by the Institute of Electronic Music and Acoustics (IEM) at the University of Music and Performing Arts Graz.

https://speculative.iem.at/

contact: speculative@iem.at

Arts Council Digital Artist in Residence – UCC, UoG, UL [Call Open]

Arts Council Digital Artist in Residence – UCC, UoG, UL

The Arts Council has partnered with Universities in Cork, Galway and Limerick to run a Digital Artist in Residence Programme.

The Digital Artist in Residence has been established as part of the Arts Council’s Digital Arts Policy. Now in its second year, following a pilot programme in 2025, the Residency focuses on providing a stimulating environment for the resident Digital Artists and affording them a degree of financial support to concentrate on their own digital arts practice.

Submissions are made directly to the partner Universities in Cork, Galway and Limerick.

For more information please see: https://artscouncil.ie/funding-opportunities/arts-council-digital-artist-in-residence-university-programme/

Northern European Mobility Opportunity for Artists/Arts Practitioners [Call closes 18th August]

Northern European Mobility Opportunity for Artists/Arts Practitioners

NEMO – Northern European Mobility Opportunity

Organiser/s: Nordic Culture Fund and arts funding agencies of Ireland, England, Northern Ireland, Scotland and Wales

Deadline: 18-09-2026

The NEMO programme supports emerging artists and arts practitioners across the Nordic countries, UK, and Ireland by providing financial grants to foster international creative collaborations. It aims to encourage confidence in working with international partners, develop new artistic networks, and promote accessibility and inclusion for diverse communities. Applicants must be based in one of the participating regions and demonstrate collaboration plans with a partner from another region.

https://nordiskkulturfond.org/en/funding-programmes/nemo-northern-european-mobility-opportunity

Artistic Research and the Lingering Gaze of Thought [SAR2026 Keynote Published]

Artistic Research and the Lingering Gaze of Thought by Henk Borgdorff

Artistic Research and the Lingering Gaze of Thought, by Henk Borgdorff, is the text of a talk delivered at the 17th Conference of the Society for Artistic Research (SAR) in Galway. Borgdorff argues that artistic research should be understood not as opposed to academia but as a cutting-edge form of it, pointing to Australia’s recent recommendation to retire the term “Non-Traditional Research Output.” He surveys what distinguishes artistic research—its engagement with practices and material things, its grounding in experimentation, participation and interpretation next to its methodological pluralism, and its relation to 4E-cognition (embodied, embedded, extended, enactive)—while sharing common ground with fields like visual anthropology and science and technology studies. The heart of the piece is a proposal to rethink “discursivity” beyond language, treating material configurations of sound, image, movement and gesture as forms of rigorous, non-propositional reasoning. 

The text can be found on the Journal for Artistic Research website: https://www.jar-online.net/en/artistic-research-and-lingering-gaze-thought

Henk Borgdorff is emeritus professor of Research in the Arts at the Academy of Creative and Performing Arts (ACPA), Leiden University and the Royal Conservatoire, University of the Arts, The Hague. Borgdorff has published widely on the theoretical and political rationale of research in the arts.

The Journal for Artistic Research (JAR) is an international, online, open-access and peer-reviewed journal that disseminates artistic research from all disciplines. Its Network space provides a forum for JAR readers to share unreviewed contributions including reflections and book reviews, while also housing the JAR network channels.

JAR is published by the Society for Artistic Research (SAR), an independent, non-profit association.