Visual Arts

Northern European Mobility Opportunity for Artists/Arts Practitioners [Call closes 18th August]

Northern European Mobility Opportunity for Artists/Arts Practitioners

NEMO – Northern European Mobility Opportunity

Organiser/s: Nordic Culture Fund and arts funding agencies of Ireland, England, Northern Ireland, Scotland and Wales

Deadline: 18-09-2026

The NEMO programme supports emerging artists and arts practitioners across the Nordic countries, UK, and Ireland by providing financial grants to foster international creative collaborations. It aims to encourage confidence in working with international partners, develop new artistic networks, and promote accessibility and inclusion for diverse communities. Applicants must be based in one of the participating regions and demonstrate collaboration plans with a partner from another region.

https://nordiskkulturfond.org/en/funding-programmes/nemo-northern-european-mobility-opportunity

Artistic Research and the Lingering Gaze of Thought [SAR2026 Keynote Published]

Artistic Research and the Lingering Gaze of Thought by Henk Borgdorff

Artistic Research and the Lingering Gaze of Thought, by Henk Borgdorff, is the text of a talk delivered at the 17th Conference of the Society for Artistic Research (SAR) in Galway. Borgdorff argues that artistic research should be understood not as opposed to academia but as a cutting-edge form of it, pointing to Australia’s recent recommendation to retire the term “Non-Traditional Research Output.” He surveys what distinguishes artistic research—its engagement with practices and material things, its grounding in experimentation, participation and interpretation next to its methodological pluralism, and its relation to 4E-cognition (embodied, embedded, extended, enactive)—while sharing common ground with fields like visual anthropology and science and technology studies. The heart of the piece is a proposal to rethink “discursivity” beyond language, treating material configurations of sound, image, movement and gesture as forms of rigorous, non-propositional reasoning. 

The text can be found on the Journal for Artistic Research website: https://www.jar-online.net/en/artistic-research-and-lingering-gaze-thought

Henk Borgdorff is emeritus professor of Research in the Arts at the Academy of Creative and Performing Arts (ACPA), Leiden University and the Royal Conservatoire, University of the Arts, The Hague. Borgdorff has published widely on the theoretical and political rationale of research in the arts.

The Journal for Artistic Research (JAR) is an international, online, open-access and peer-reviewed journal that disseminates artistic research from all disciplines. Its Network space provides a forum for JAR readers to share unreviewed contributions including reflections and book reviews, while also housing the JAR network channels.

JAR is published by the Society for Artistic Research (SAR), an independent, non-profit association.

Creative Futures Academy – Microcredential Learner Fee Subsidy [Applications open]

Micro-credential Learner Fee Subsidy (LFS) at NCAD & IADT

Creative Futures Academy are delighted to be awarded significant Micro-credential Learner Fee Subsidy (LFS) to support learners attending our future-focused courses in both the National College of Art & Design and the Institute of Art Design + Technology, Dun Laoghaire.

Courses include:

NCAD

IADT

See CFA website for further details:

Up to 80% Micro-credential Learner Fee Subsidy offered to CFA Learners in 2026

Computational approaches to visual and material culture [June 2/3, Oxford, in person – FREE ]

Computational approaches to visual and material culture

Join us for a two-day thematic research event on computational approaches to visual and material culture at Oxford’s Weston Library!

2 June 9:30am-5:00pm to 3 June 9.30am-5:00pm

In-person event: Centre for Digital Scholarship, Weston Library, Oxford

Free event and open to all. Registration required, limited places available. Please follow the link below to register.

Register on Eventbrite

Data/Culture, the Centre for Digital Scholarship (Bodleian Libraries), Digital Scholarship @Oxford, and Mapping the Arts and Humanities (SAS, London) are hosting a two-day thematic research event exploring new ways of working with images, objects, and performances. The event focuses on developing research questions and approaches, using existing tools and resources. Participants will work collaboratively in small groups, supported by Research Software Engineers, and have the opportunity to develop a research idea further through a prize of dedicated technical collaboration. No prior coding experience is required.

Who is this for?

This event is designed for:

  • Arts and Humanities researchers (scholars and postgraduate students)
  • those working with images, objects, archives, or performance materials
  • those interested in exploring new research methods
  • those developing or planning research projects or grant applications

What do you need?

  • An interest in your research question
  • (Optional) a dataset or collection you work with
  • A laptop is desirable but not essential

You do NOT need:

  • coding experience
  • prior knowledge of tools
  • technical expertise

3rd Symposium on Digital Art in Ireland [April 22, in person, UCC] Registration Open

Registration is now open for the 3rd Symposium on Digital Art in Ireland

April 22nd, 2026 in University College Cork

The symposium is a collaboration between Sample-Studios and University College Cork’s Department of Digital Humanities and Future Humanities Institute. The Symposium is generously supported by the Arts Council of Ireland.

Registration is now open for the 3rd Symposium on Digital Art in Ireland. The symposium is a collaboration between Sample-Studios and University College Cork’s Department of Digital Humanities and Future Humanities Institute. The Symposium is generously supported by the Arts Council of Ireland.

The Symposium will take place at University College Cork & the Lord Mayor’s Pavilion, Fitzgerald’s Park 22nd April, 2026. It is chaired by Stephen Roddy, James O’Sullivan, Aoibhie McCarthy & Emer Yip.

Book tickets here: https://www.eventbrite.ie/e/3rd-symposium-on-digital-art-in-ireland-tickets-1985523941558

Participants and attendees may also be interested in submitting to Digital Art in Ireland: Theory, Practice, Futures, a new book that will be published in late 2026/early 2027:
https://www.blackwaterpublishing.com/digital-art-ireland

Symposium Programme

DATE 22nd April 2026

Symposium: 10am-5:15pm | Exhibition Opening Reception: 5:30-7pm 
Venue: Dora Allman, University College Cork
10am Opening Remarks
10.15am – 11.30am Session 1
  • FAILING SMALL: TRAINING A GENERATIVE AI MODEL WITH IMPERFECT DARKROOM IMAGES. Alaz Okudan with James McDermott , Centre for Creative Technologies, University of Galway
  • ARTISTIC ACCESS TO COMPLEX DIGITAL SYSTEMS THROUGH PARTICIPATORY DESIGN. Dr Paul Green and Juan Francisco Martinez, MTU Crawford College of Art & Design &  Nimbus Research Centre
  • A PRACTICE-LED APPROACH TO MUSIC VISUALISATION IN THE IRISH DIGITAL ARTS CURRICULUM. Guang Yang, University College Cork
Break 11.30-11.45am
11.45am – 1.00pm Session 2
  • FULLY SUBMERGED: COLLABORATIVE WORK AND IMMERSIVE EXPERIENCES. Barbara Denier, University College Cork and Dr. Paul Green, MTU Crawford College of Art & Design
  • A MULTI-MODAL ADAPTIVE MICROTUNING ARCHITECTURE: BRIDGING MTS, MPE, AND MIDI 2.0 FOR REAL-TIME JUST INTONATION. Rui Su, Joseph Timoney, Damián Keller, Maynooth University
  • A LEGION OF DEVILS- THE ROLE OF DIGITAL TECHNOLOGIES IN THE SCULPTURE OF JAMES L HAYES. James L. Hayes, MTU Crawford College of Art & Design

Lunch 1-2pm
2.00pm – 3.15pm Session 3
  • CHROMAESTHESIA IN CURGENVEN’S AGENESIS. Robin Parmar, University of Limerick
  • CREATIVE TRANSPARENCY: REFLECTIONS ON A DEVELOPING HYBRID DIGITAL PRACTICE. Chris Falconer
  • ACCESSIBILITY AND MULTI-SENSORY INSTALLATION. Jane Cassidy, University of Galway’s Centre for Creative Technologies
Break 3.15-3.30pm
3:30pm – 4:15pm Panel
  • THE BODY AS HARDWARE: ENTANGLEMENT OF FLESH AND MACHINE THROUGH DIGITAL PERFORMANCE. EL Putnam (Maynooth University), Katherine Nolan (Technological University Dublin), Phaedra Shanbaum (Maynooth University)
4:15pm – 5:15pm Final Session
  • METAGARDENER: CULTIVATING LIFE IN INTERACTION DESIGN. Caileann Finn, University of Limerick
  • LUDDITE ACADEMY; TOWARDS A POLITICISED DIGITAL CREATIVE PRACTICE. David Benqué, Institute of Diagram Studies, Sample-Studios Member
  • COUNTER-ARCHIVAL METHODOLOGIES AND THE ARCHITECTURE OF MEMORY: THE IRAQ PHOTO ARCHIVE AND HOUSE OF MEMORY. Basil Al-Rawi 

Exhibition Opening

House of Memory,  Basil Al-Rawi

The Lord Mayor’s Pavilion, 5.30-7pm

CLICK HERE

Additional details: https://sample-studios.com/events/3rd-symposium-on-digital-art-in-ireland/