George Bruseker, Ontologies for Art History: Modelling Creative Processes and Evolving Meanings [Nov 3rd, online, 3pm]

STAGE – From Stage to Data: The Digital Turn of Contemporary Performing Arts Historiography George Bruseker, Ontologies for Art History: Modelling Creative Processes and Evolving Meanings


As part of the European research project STAGE – From Stage to Data: The Digital Turn of Contemporary Performing Arts Historiography, directed by Clarisse Bardiot, this research seminar offers an in-depth introduction to the issues, concepts, methods, and tools involved in the digital study of texts, images, and cultural data. It aims to address the challenges and opportunities related to the use of digital data in art research – particularly in the developing fields of digital art history and culture analytics – and to show how the digital humanities open new research perspectives in the humanities. 

The seminars take place on Mondays from 4 to 6 p.m.:
– in person at the Villejean campus of the University of Rennes 2
– or online via Zoom. Registration is required via the following form so that the link can be sent to you. If you have already registered for this event, please do not fill in the form below again.
https://docs.google.com/forms/d/e/1FAIpQLScFoa97RsWVtuB0e6Xh9ETNC26lGi1zKPEJip7aJaok_kkYdA/viewform?usp=header

Sessions will be recorded and made available on the From Stage to Data website: https://stage-to-data.huma-num.fr

Site web http://www.clarissebardiot.info/ 

Projet ERC From Stage to Data : https://stage-to-data.huma-num.fr/en/

Dernier livre :Arts de la scène et humanités numériques. Des traces aux données

/ Performing Arts and Digital Humanities. From Traces to Data.

Research Sustainability Workflow – open for feedback til Nov 15th

Research Sustainability Workflow – Open for feedback !

Earlier this year DARIAH-IE partnered with the Digital Repository of Ireland (DRI) for a day-long workshop on the topic of Research Sustainability in the Humanities at the Royal Irish Academy in Dublin. An output of this workshop was the development of a workflow to support researchers in thinking about sustainability from the very outset of their projects. As part of the collaborative development process we invite the wider DARIAH-IE community to provide feedback on this workflow, before it is finalised for publication in the Social Sciences and Humanities Open Marketplace (SSHOMP). 

This workflow is being developed as a collaboration between DARIAH-IE and the Digital Repository of Ireland and is open for feedback until November 15th, 2025.

Cleaning and Reconciling Literary Historical Data with AI: Reflections from the STEMMA Project

Cleaning and Reconciling Literary Historical Data with AI: Reflections from the STEMMA Project

Date: 21 October 2025 (Tuesday)
Time: 4:00 pm (HKT)
Via Zoom

Speaker: Prof. Erin McCarthy, Professor of English Literature and Computational Humanities and the Principal Investigator of the STEMMA Project, University of Galway

Click here to register.

About the talk

The European Research Council-funded project “STEMMA: Systems of Transmitting Early Modern Manuscript Verse, 1475–1700” aims to build the first large-scale computational model of the circulation on English-language poetry. To do so, the STEMMA team has reconciled five of the most comprehensive sources of data about early modern poetic manuscripts. In this talk, Prof. McCarthy will describe the use of computational methods such as locality sensitive hashing, cosine similarity, and LLM agents to assist with the cleaning and reconciliation of historical data. These methods allow us to strike a balance between working with “dirty” data and retaining evidence of the untidy state in which it was found. However, they still require significant computational effort and literary historical supervision. The talk will therefore reflect on the opportunities and challenges presented by such work and offer ideas about future directions.

About the speaker

Erin A. McCarthy is Established Professor of English Literature and Computational Humanities and the Principal Investigator of the European Research Council-funded project “STEMMA: Systems of Transmitting Early Modern Manuscript Verse, 1475–1700” at the University of Galway. She is the author of Doubtful Readers: Print, Poetry, and the Reading Public (Oxford University Press, 2020), which was named an Outstanding Academic Title by CHOICE and won the 2020 John Donne Society Award for Distinguished Publication. She is currently completing two monographs: a jointly authored monograph about the findings of the RECIRC project, “The Reception and Circulation of Early Modern Women’s Writing in Manuscript Miscellanies, 1550–1700,” with Marie-Louise Coolahan and Sajed Chowdhury, and a sole-authored monograph called “Interpreting Early Modern Manuscripts: Towards a New Methodology.” Her scholarship has also appeared in the John Donne Journal, SEL: Studies in English Literature 1500–1900, the Review of English Studies, Criticism, and Reformation.