Digital Humanities

Post-doctoral position in information retrieval / digital humanities [UCD, closes 18 Nov]

UCD Post-doctoral Research Fellow

Applications are invited for a full-time, three-year postdoctoral fellowship to join a team working on a European Research Council-funded project entitled ‘Anticolonialism, Pan-Asianism, and Periodical Culture in Southeast Asia, c. 1850-1920’ (PanAsia).

Spanning three European empires (French, British, and Dutch) and five interconnected port cities (Singapore, Penang, Rangoon, Batavia, and Saigon), PanAsia is a five-year (2027-2032) study of the newspapers, journals, and magazines of nineteenth and early twentieth-century Southeast Asia (c. 1850-1920). The project’s primary objectives are, first, to compare the production of anticolonial periodical media by colonised peoples in multiple languages across the five maritime sites; second, to uncover transimperial and/or transnational print networks of anticolonial resistance between colonised peoples across the region; and third, to investigate how pan-Asian or shared Asian cultural values were used to mobilise anticolonial thinking and praxis.

In its first stage, PanAsia will focus on a) locating the relevant multilingual periodical corpus and obtaining permissions to publish or republish that corpus on the project website; b) designing and implementing a searchable and machine-readable database of relevant parts of the corpus; c) identifying and cross-referencing intertextual exchange within the corpus; d) identifying reprinted and/or syndicated articles across the corpus; and e) identifying periodical fiction across the corpus.

More Information: https://universityvacancies.com/university-college-dublin/ucd-post-doctoral-research-fellow-level-1-or-2-ucd-school-of-english-drama-and-film-3-years

Stage to Data project announces seminar series [online and in person, Paris]

The Arts and Cultural Data

This seminar explores the challenges and applications of this field for the study of the arts and cultural data. It is part of the European ERC project From Stage to Data, led by Clarisse Bardiot, and brings together two rapidly developing fields: digital art history and culture analytics.

The Arts and Digital Humanities seminar has three objectives: to explore the foundations of the digital humanities and their applications to the arts, particularly the performing arts; to analyze the scientific and ethical challenges of using digital data in research; and to introduce participants to the latest work in the field through presentations by recognized researchers. The program brings together specialists in the digital arts and humanities with historians, philosophers and researchers in the humanities whose work directly informs our discussions. Each year, an artist is also invited to present a practice related to digital technology.

The seminar is aimed at Master’s and PhD students, as well as artists and cultural professionals. No previous experience in data analysis is required. The sessions, which last two hours and are sometimes held in English, take place both in person and online (via Zoom). The presentation (lasting approximately one hour) is followed by a discussion and then a social gathering.

The sessions will be recorded and made available on the From Stage to Data website and YouTube channel: https://stage-to-data.huma-num.fr

The full program is available at the following address: https://stage-to-data.huma-num.fr/en/events/arts&HN/

19/10 – Andreas Aristidou, University of Cyprus, CYENS Center of Excellence

Performing Arts in the Digital Age: Capture, Analysis, Visualization, and Interaction with XR Technologies

02/11 – Peter Broadwell & Michael Rau, Stanford University

Reworking Similarity and Consensus in Pose-Based Analyzes of Theater Recordings

23/11 – Nick Crossley, University of Manchester

Investigating Event Networks

07/12 – Pantelis Michelakis, Director of the Archive of Performances of Greek and Roman Drama

Patterns of Performance: Computational Audiovisual Analysis and the Transformation of Theater Historiography

18/01 – Lise Jaillant, Loughborough University

Pressing Matters: Artificial intelligence, natural history, and co-creation using cultural data

01 / 02 – Ulla Kallenbach, University of Bergen & Anna Lawaetz, Royal Danish Library

The theatrical gaze and digital humanities: text, performance, archives

22/02 – Johanna Drucker, UCLA

Affective, Experiential, and other Non-Standard Metrics for Visualization in the Humanities

15/03 – Nicola Carboni, University of Illinois

From Pixels to Context: knowledge graphs for visual objects

05/04 – Pierre Couprie, University of Évry Paris-Saclay

The musicologist’s digital laboratory: from instrumented listening to multimodal analysis environments

New Community Interest Groups announced by UK-IE DHA


6 new Community Interest Groups (CIGs) have been approved and will be joining the UK-Ireland Digital Humanities Association.

We are delighted to announce that, following a highly competitive call for applications in May 2026, 6 new Community Interest Groups (CIGs) have been approved and will be joining the UK-Ireland Digital Humanities Association.

Newly Approved Community Interest Groups:

  • Cultural Heritage Open Scholarship Network (CHOSN)
  • Digital Humanities Pedagogies
  • Digital Infrastructures for Arts, Humanities & Cultural Heritage (DIAHCH)
  • Humanities and Data Science
  • UK-Ireland Web Archive Research Network (UK-IE WARN)
  • Feminist Digital Humanities

With these additions, we now have 10 active Community Interest Groups, reflecting the breadth, diversity, and vibrancy of digital humanities research and practice across the UK and Ireland.

To read more about our CIGs, these groups and more, you can read the full announcement here: https://digitalhumanities-uk-ie.org/2026/09/21/2026-new-cigs/

Immigrant and Emigrant Correspondence [CFP, 4th Dec deadline]

Immigrant and Emigrant Correspondence, online event

The UK-IE DHA Digital Correspondence Community Interest Group, warmly invite you to register and submit proposals for an upcoming free online event on Immigrant and Emigrant Correspondence. 

Event Details:

  • Date & Time: Thursday, 14 January 2027 | 10:00 – 13:00 GMT 
  • Location: Online (Free) 
  • Audience: Historians, linguists, digital humanities researchers, educators, GLAM practitioners, and postgraduate students.

About the Event:

This workshop brings together perspectives on personal correspondence written by or about migrants. We welcome explorations across all time periods and media—ranging from historical physical letters and dispatches to contemporary digital messaging and email. 

Possible research areas include (but are not limited to):

  • Historical sociolinguistics, pragmatics, and discourse analysis 
  • History ‘from below’ and oral history in written contexts 
  • Preservation of linguistic heritage and digital archiving 
  • Stance, positioning, identity, and emotion in migrant letters 

Call for Papers (5–15 Minute Talks):

They invite short presentations on either works-in-progress or completed studies. 

Doing Sound Synthesis: Symposium and Exhibition [1-3 October, Graz]

Graz Institute of Electronic Music and Acoustics Symposium and Exhibition

Thinking sound synthesis, composing sound synthesis, developing sound synthesis, programming sound synthesis, questioning sound synthesis, experimenting with sound synthesis, probing sound syntheses. What is it that we are doing in the artistic practice of sound synthesis?

As an artistic endeavour, doing sound synthesis is a knot of practices. It is not limited to the mere production of sound; rather, it seeds paths of speculation that grow into different, unthought, unseen and unheard potentials.Doing Sound Synthesis, a mini-symposium and exhibition within the artistic research project Speculative Sound Synthesis, brings a collection of such speculative seeds together.

Works by A. Isa Araújo, Adam Pultz Melbye, Fulya Uçanok and Martin Rumori, as well as by the project team – David Pirrò, Leonie Strecker and Ina Thomann – will be exhibited, performed and discussed over three days at the Tennenmälzerei in Graz. The programme also includes the presentation of the new artistic research project Composing Tools as Computer Music Discourse by Gerhard Eckel, Ludvig Elblaus, Alisa Kobzar, Ina Thomann, and Zlata Zhidkova, and closes with the presentation of the forthcoming Speculative Sound Synthesis publication.Doing Sound Synthesis – mini-symposium and exhibition 

October 1–3, 2026 
Tennenmälzerei, UNESCO-Esplanade 9, 8020 Graz 
Exhibition daily from 14:00 
Lecture performances and moderated talks from 18:00

Programme:
https://speculative.iem.at/docs/Events/doing_sound_synthesis_2026/

Participation is free.

We kindly ask you to register by sending a short email to speculative@iem.at.We look forward to welcoming you in Graz.the Speculative Sound Synthesis teamSpeculative Sound Synthesis is funded by the Austrian Science Fund (FWF) within the Programme for Arts-based Research (PEEK) – PEEK AR 713-G. It is hosted by the Institute of Electronic Music and Acoustics (IEM) at the University of Music and Performing Arts Graz.

https://speculative.iem.at/

contact: speculative@iem.at