Workshops

Computational approaches to visual and material culture [June 2/3, Oxford, in person – FREE ]

Computational approaches to visual and material culture

Join us for a two-day thematic research event on computational approaches to visual and material culture at Oxford’s Weston Library!

2 June 9:30am-5:00pm to 3 June 9.30am-5:00pm

In-person event: Centre for Digital Scholarship, Weston Library, Oxford

Free event and open to all. Registration required, limited places available. Please follow the link below to register.

Register on Eventbrite

Data/Culture, the Centre for Digital Scholarship (Bodleian Libraries), Digital Scholarship @Oxford, and Mapping the Arts and Humanities (SAS, London) are hosting a two-day thematic research event exploring new ways of working with images, objects, and performances. The event focuses on developing research questions and approaches, using existing tools and resources. Participants will work collaboratively in small groups, supported by Research Software Engineers, and have the opportunity to develop a research idea further through a prize of dedicated technical collaboration. No prior coding experience is required.

Who is this for?

This event is designed for:

  • Arts and Humanities researchers (scholars and postgraduate students)
  • those working with images, objects, archives, or performance materials
  • those interested in exploring new research methods
  • those developing or planning research projects or grant applications

What do you need?

  • An interest in your research question
  • (Optional) a dataset or collection you work with
  • A laptop is desirable but not essential

You do NOT need:

  • coding experience
  • prior knowledge of tools
  • technical expertise

DARIAH-Campus Open Education Resource Showcase [May 26 @2pm, DARIAH Annual Event, Rome]

DARIAH-Campus Open Education Resource Showcase

The DARIAH-EU Community Engagement Working Group and the DARIAH-Campus Editorial Board invite participants to join us during the DARIAH Annual event in Rome for a DARIAH-Campus Open Education Resource Showcase. 

This event will take place on Tuesday 26th May from 2-3.30pm in the Aula Bisconti in the main conference venue.

Please register your intention to attend by completing this form by Friday 22nd May.

This event is targeted at early career researchers, practitioners and those who are currently engaged in training provision as educators (e.g. lecturers, academics, trainers) as well as postgraduate students and lifelong learners. 

The session will showcase DARIAH-Campus resources through demonstrations from leading educators, using examples from their own teaching practices. Following the demonstrations a moderated discussion will afford the DARIAH-Campus team the opportunity to gain a deeper insight from the community in how they engage with Open Education Resources (OERs) such as those available on DARIAH-Campus.  Potential topics of discussion will include:

What formats work best?  

How are training materials identified?  

What sources are trusted for recommendations in OERs?

Participants in the workshop will leave with a deeper understanding of using DARIAH-Campus as a resource for teaching, training and learning and will also have played an active role in informing and shaping the direction of DARIAH-Campus and the development of training materials in current and future projects (e.g. ATRIUM, ARTEMIS, ECHOES).

Gamifying Digital Preservation: An Introductory Twine Workshop [May 12 @10am, online]

Gamifying Digital Preservation: An Introductory Twine Workshop

May 12, 10:00-12:00 UTC+1

The Digital Repository of Ireland is hosting a webinar on May 12th that may be of interest if you’re planning on attending their DPASSH (Digital Preservation in the Arts, Social Sciences and Humanities) conference in late June! 

This 2 hour online workshop led by Francesca Mackenzie (National Archives UK), Lotte Wijsman and Susanne van den Eijkel (National Archives NL) is designed to guide participants in creating text‑based adventure games using Twine, a free and accessible tool for building interactive stories. Prompts, templates, and example structures will be provided to help participants shape their projects and develop their skills. Alongside technical learning, the workshop encourages a playful approach to thinking about digital preservation challenges, offering a creative space to re‑imagine familiar workflows and concepts.

Register:

https://dri.ie/events/gamifying-digital-preservation-an-introductory-twine-workshop

Galaxy – Digital Research Methods Training [Free, online, register by May 16]

Galaxy – Digital Research Methods Training online

We would like to draw your attention to the Galaxy Training Academy 2026, a free, international training programme focused on open, reproducible digital research methods, with particular relevance for arts, humanities, and cultural heritage research.

This training is relevant if you:

• work with textual, audiovisual, or cultural heritage data;

• are interested in practical approaches to digital humanities, text analysis, or machine learning;

• would like access to shared, non‑commercial computational infrastructure for research and teaching experiments;

• are interested in FAIR research practices for the digital arts and humanities.

About the Galaxy Training Academy 2026

The Academy is organised by the Galaxy Training Network, a long‑running international community that develops and delivers training for the Galaxy open‑source research infrastructure, which is widely used and supported across the global research community.

Dates: 18–22 May 2026 (Registration deadline: 16 May)

Format: Fully asynchronous (no live sessions)

Cost: Free

More details: https://training.galaxyproject.org/training-material/events/2026-05-18-galaxy-academy.html

The Academy is open to researchers at all career stages, including postgraduate students, doctoral researchers and early‑career academics. 

Participants work through a structured set of video‑based and text‑based tutorials at their own pace. No prior experience with Galaxy is required, although more experienced users are also welcome.

Topics

Recommended tracks for community members include: Digital Humanities; From Zero to Hero with Python Machine Learning.

Indicative topics in the Digital Humanities track include:

• Introduction to Digital Humanities workflows in Galaxy

• Researching cultural data using OpenRefine

• Text mining Chinese newspaper archives

• Automated transcription of audio and video materials

3rd Symposium on Digital Art in Ireland [April 22, in person, UCC] Registration Open

Registration is now open for the 3rd Symposium on Digital Art in Ireland

April 22nd, 2026 in University College Cork

The symposium is a collaboration between Sample-Studios and University College Cork’s Department of Digital Humanities and Future Humanities Institute. The Symposium is generously supported by the Arts Council of Ireland.

Registration is now open for the 3rd Symposium on Digital Art in Ireland. The symposium is a collaboration between Sample-Studios and University College Cork’s Department of Digital Humanities and Future Humanities Institute. The Symposium is generously supported by the Arts Council of Ireland.

The Symposium will take place at University College Cork & the Lord Mayor’s Pavilion, Fitzgerald’s Park 22nd April, 2026. It is chaired by Stephen Roddy, James O’Sullivan, Aoibhie McCarthy & Emer Yip.

Book tickets here: https://www.eventbrite.ie/e/3rd-symposium-on-digital-art-in-ireland-tickets-1985523941558

Participants and attendees may also be interested in submitting to Digital Art in Ireland: Theory, Practice, Futures, a new book that will be published in late 2026/early 2027:
https://www.blackwaterpublishing.com/digital-art-ireland

Symposium Programme

DATE 22nd April 2026

Symposium: 10am-5:15pm | Exhibition Opening Reception: 5:30-7pm 
Venue: Dora Allman, University College Cork
10am Opening Remarks
10.15am – 11.30am Session 1
  • FAILING SMALL: TRAINING A GENERATIVE AI MODEL WITH IMPERFECT DARKROOM IMAGES. Alaz Okudan with James McDermott , Centre for Creative Technologies, University of Galway
  • ARTISTIC ACCESS TO COMPLEX DIGITAL SYSTEMS THROUGH PARTICIPATORY DESIGN. Dr Paul Green and Juan Francisco Martinez, MTU Crawford College of Art & Design &  Nimbus Research Centre
  • A PRACTICE-LED APPROACH TO MUSIC VISUALISATION IN THE IRISH DIGITAL ARTS CURRICULUM. Guang Yang, University College Cork
Break 11.30-11.45am
11.45am – 1.00pm Session 2
  • FULLY SUBMERGED: COLLABORATIVE WORK AND IMMERSIVE EXPERIENCES. Barbara Denier, University College Cork and Dr. Paul Green, MTU Crawford College of Art & Design
  • A MULTI-MODAL ADAPTIVE MICROTUNING ARCHITECTURE: BRIDGING MTS, MPE, AND MIDI 2.0 FOR REAL-TIME JUST INTONATION. Rui Su, Joseph Timoney, Damián Keller, Maynooth University
  • A LEGION OF DEVILS- THE ROLE OF DIGITAL TECHNOLOGIES IN THE SCULPTURE OF JAMES L HAYES. James L. Hayes, MTU Crawford College of Art & Design

Lunch 1-2pm
2.00pm – 3.15pm Session 3
  • CHROMAESTHESIA IN CURGENVEN’S AGENESIS. Robin Parmar, University of Limerick
  • CREATIVE TRANSPARENCY: REFLECTIONS ON A DEVELOPING HYBRID DIGITAL PRACTICE. Chris Falconer
  • ACCESSIBILITY AND MULTI-SENSORY INSTALLATION. Jane Cassidy, University of Galway’s Centre for Creative Technologies
Break 3.15-3.30pm
3:30pm – 4:15pm Panel
  • THE BODY AS HARDWARE: ENTANGLEMENT OF FLESH AND MACHINE THROUGH DIGITAL PERFORMANCE. EL Putnam (Maynooth University), Katherine Nolan (Technological University Dublin), Phaedra Shanbaum (Maynooth University)
4:15pm – 5:15pm Final Session
  • METAGARDENER: CULTIVATING LIFE IN INTERACTION DESIGN. Caileann Finn, University of Limerick
  • LUDDITE ACADEMY; TOWARDS A POLITICISED DIGITAL CREATIVE PRACTICE. David Benqué, Institute of Diagram Studies, Sample-Studios Member
  • COUNTER-ARCHIVAL METHODOLOGIES AND THE ARCHITECTURE OF MEMORY: THE IRAQ PHOTO ARCHIVE AND HOUSE OF MEMORY. Basil Al-Rawi 

Exhibition Opening

House of Memory,  Basil Al-Rawi

The Lord Mayor’s Pavilion, 5.30-7pm

CLICK HERE

Additional details: https://sample-studios.com/events/3rd-symposium-on-digital-art-in-ireland/

DRI Reproductive Justice Hackathon [Mar 7 @ 12:30, in person, Dublin]

DRI Reproductive Justice Hackathon

When: March 7th from 12:30-16:00

Where: Dublin City Library and Archive

Join the Digital Repository of Ireland for a collective day of action to expand access to, and knowledge of, the history of reproductive justice efforts in Ireland through updates to the Reproductive Justice topic area on Wikipedia.

This is a half day, in-person event to take place at Dublin City Library and Archive on Saturday, March 7th. Participants should have access to a laptop or connected device on which they are comfortable editing text. We anticipate the following outcomes:

  • Attendees will be presented with a lunchtime talk on reproductive justice by Dr. Alessandra Jungs de Almeida, Research Affiliate at MIT’s Data + Feminism Lab.
  • Participants will receive hands-on-training in editing and developing Wikipedia entries from Wikimedia Ireland.
  • Small groups will collectively develop topics, compile appropriate references and links, and develop a series of topical entries for Ireland. 
  • New content on reproductive justice in Ireland will be added to Wikipedia.

More details and a registration link are available at: https://dri.ie/events/reproductive-justice-hackathon/.

Why this event?

  • This is the first of what will hopefully be a series of events promoting Data Reuse that DRI aims to support via a new initiative called “DRI Labs”. You’ll have to attend the event if you want a teaser of what we hope to accomplish— and learn how to partner with us for future activities!

DARIAH-IE Visits UCC [March 19th, 2026]

Save the Date ! DARIAH-IE visits UCC on March 19th, 2026

DARIAH-IE will be continuing our visits to Irish HEIs with a trip to University College Cork on March 19th. We are looking forward to meeting with colleagues engaged in digitally-enabled arts and humanities activities across the university – from practitioners, researchers, academics to those involved in research support services.

The visit to UCC will include an Open Session with a short presentation on DARIAH and Ireland’s national node DARIAH-IE, followed by a Q&A with Joan Murphy (DARIAH-IE National Manager) and Prof Jennifer Edmond (DARIAH-IE National Coordinator). During the Q&A attendees will be given the opportunity to discuss their needs and wants from the national node in a relaxed and informal way. A number of smaller meetings will also take place.

Further details of the day will be communicated shortly, but if you have any questions in the meantime please contact joan.y.murphy@tcd.ie directly.

Location: North Wing Council Room (first floor, Main Quad)

Time: 11-12:30

Event: Open Session – Q&A / discussion

Futures in the Making: Identity, Speculation, and Digital Representation [Feb 10, online and in person, @12:00 GMT]

Futures in the Making: Identity, Speculation, and Digital Representation

Date & Time: 12pm, Tuesday 10th February

Location: Studio 3, O’Donoghue Centre for Drama, Theatre & Performance, University of Galway

The Masterclass Series continues with 

Aisling Phelan, an Irish multidisciplinary artist exploring digital doubles, speculative futures and human-machine interactions and entanglements.

In this masterclass, Aisling will present an overview of her artistic practice, tracing the research, processes, and technological explorations that shape her work in relation to identity, corporeality, and digital representation. Drawing on recent research into DeepFakes, doppelgangers, and robotics, the session will also invite participants to engage in speculative thinking around possible futures shaped by emerging technologies, using fiction and open-ended questioning as tools to reflect on contemporary technological anxieties.

Speaker Bio
Aisling Phelan is an Irish multidisciplinary artist exploring digital doubles, speculative futures and human-machine interactions and entanglements. Through 3D animation, AI, video, sculpture, and live interactive technologies, her work explores what it means to be human in an era of rapid technological advancement and pervasive algorithmic influence. 

Drawing from a transhumanist and speculative fiction perspective, Phelan explores how far we are willing to go in the pursuit of self-optimisation and the potential costs of such advances. Fusing the intimate with the artificial, her practice confronts the seductive promise of transcendence and enhancement, creating space for reflection on the role of current digital infrastructures in shaping how we understand ourselves and others.

In person: https://ti.to/creative-tech/masterclass-aisling-phelan

Zoom: https://universityofgalway-ie.zoom.us/webinar/register/WN_Fb4r-VXCTAOFEkSJdwm8iw

Upcoming Workshops:

Liing Heaney  – Tuesday, 17 February

Róisín Berg – Tuesday, 24 February

Tara Jaye Burke – Tuesday, 3rd March

Claire Healy  – Tuesday 24th March

Jane Cassidy – Tuesday 31th March

Immersive Storytelling in 360° [Feb 12, online & in person, @12:00 GMT]

Immersive Storytelling in 360°

Date & Time: 12pm, Wednesday 4th February

Location: Studio 3, O’Donoghue Centre for Drama, Theatre & Performance, University of Galway

This 2 hour workshop will explore 360° storytelling processes. Drawing on the artist’s experiences with making 360° pieces in multiple languages and within different contexts, James will share what he has learned while referencing his work along with other international artists making work in this realm. No experience needed, this workshop is for anyone interested in telling stories, and how you might go about it in the digital space – touching on narrative structure, plot, character and the use of text and audio.

James Riordan is Artistic Director of Brú Theatre. His work in the digital space includes Ar Ais Arís (2020) – a merging of Irish language literature on immigration and VR, which recently toured to the US and Canada. In 2024 he directed No Tempo por Agua, A 360° VR piece for Portuguese company Teatro Do Silencio which premiered in Lisbon. Ologon, a 360° musical experience shot throughout Mayo premiered in 2021. 

He was Digital Artist in Residence with University of Galway’s Centre for Creative Technologies in 2024 and has presented his work and facilitated VR workshops for multiple companies including Prime Cut (Belfast) and Central School of Drama (London) and Galway International Arts Festival.

Registration:

In person: https://ti.to/creative-tech/masterclass-james-riordan

Zoom: https://universityofgalway-ie.zoom.us/webinar/register/WN_ddeqz_QWR12QOhQ-sX4gJA#/registration

Upcoming Workshops:

Aisling Phelan – Tuesday, 10 Februaury

Liing Heaney  – Tuesday, 17 February

Róisín Berg – Tuesday, 24 February

Tara Jaye Burke – Tuesday, 3rd March

Claire Healy  – Tuesday 24th March

Jane Cassidy – Tuesday 31th March

Technical Writing in the Humanities: a facilitated writing sprint [Dec 15, online, 13:30-15:00 GMT]

Technical Writing in the Humanities: a facilitated writing sprint

The Digital Skills in Arts and Humanities Network (DISKAH) is organising a webinar on “Technical Writing in the Humanities: a facilitated writing sprint” in collaboration with the Programming Historian to support interested colleagues in developing a publication targeted to this journal, and more widely in communicating your technical workflows within Digital Humanities research to relevant audiences.

Webinar date and time: Monday 15 December, 13:30-15:00 (GMT)

Please register here for the webinar: https://www.eventbrite.co.uk/e/diskah-webinar-technical-writing-in-the-humanities-tickets-1976718137160

Further information about the webinar: https://culturedigitalskills.org/webinar-diskah-programming-historian/